Broadcast
roots. Studio
soul.
From recording studios in California to live TV at CBS — a career built on craft, curiosity, and a genuine love for the art of audio and visual storytelling.
Credits
Records
Produced & Hosted
My first internship after moving to LA in 2009 was with Luxury Wafer Sessions at ChessVolt Studio, where I shot and edited videos for live artist sessions. My role was to utilize skills in art direction, project management, and branding to deliver music videos that captured the energy of each performance.
Videos were edited into polished pieces for an online music blog and YouTube channel — showcasing the artist's charisma, uniqueness, nerve, and talent. These videos allowed the studio to build brand recognition and awareness, starting the marketing funnel to bring in additional business.
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After Luxury Wafers, I found myself interning at Warner Bros. Records in their Video Production department. My role was to edit lyric videos, behind-the-scenes content, and tour announcement pre-rolls — all reflecting the branding of each featured artist.
I balanced multiple projects simultaneously using strong project management skills, often putting in 40–65 hours per week. No compensation — but the passion, reliability, and dedication to music I brought to every project speaks for itself.
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I produced, edited, and co-hosted Thanks for Coming: A RuPaul's Drag Race Podcast alongside Jamal Miller and Stony Robinson from 2018 until late 2022. Over four years, we built a dedicated audience and steadily improved production quality as we found our brand voice.
I wrote detailed scripts and episode plans each week, introduced fan-favorite recurring segments like "Drunk Herstory," and grew our combined social following to around 10,000 across Facebook, Twitter, and Instagram. We also landed brand deals with Manscaped and Poo-Pourri.
Treble Treble was born out of my love for music. I wanted to examine the history behind each album and explore how different people connect to music — even if hearing it for the first time. A deeply personal project rooted in curiosity and craft.
Much like Thanks for Coming, I was the sole marketing, production, and post-production team — producing, editing, and promoting the podcast entirely on my own.
Let's make
something
loud.
Broadcast-quality production, indie-studio speed. Let's talk about what you're building.